Volume Pig

Percussion Quartet

Work Details

Volume Pig
(1992)
WORK DURATION
11:30
WORK CODE
PE010
Instrumentation
4perc (low tom tom, crotales, 5 temple blocks, glockenspiel, toy pistol, bongos, whistle : low tom tom, marimba, 5 wood blocks, crotales, toy pistol, 2 cowbells, timbale, whistle : low tom tom, bass drum, suspended cymbal, 2 brake drums, 3 log drums, toy pistol, splash cymbal, whistle : low tom tom, bass drum, suspended cymbal, small metal plate, hammer, 2 brake drums, snare drum, toy pistol, shaker, whistle, tam-tam)
The image above is indicative only and may not reflect the specific instrumentatioN. thE image has been generated using an AI model or licensed for use by unless otherwise credited.

Perfect for percussion quartets seeking to add energy and theatricality to their repertoire, Volume Pig places Farr's sense of humour alongside his formidable sense of rhythm. Dedicated to New Zealand percussion master Murray Hickman and premiered by Hickman's STRIKE Percussion ensemble, Volume Pig shifts unpredictably between overwhelming noise and barely audible whispers, its intricate textures peppered with wild shrieks, grunts and howls.

From the Composer

Volume Pig (vo.lium pig). n. 1. Name of a rare subspecies of the pig family, porcus amplificatus, normally found dwelling in remote Southland bogs. The unusual hunting tactics of this creature have long been a curiosity to zoologists; it confuses and stuns its prey by uttering a frantic succession of wild grunts, howls and piercing screams, causing the unfortunate prey to fall to the ground, covering its ears in extreme agony. 2. Colloquial name given to a person with a particular propensity for composing music of an unusually loud nature.

Work Review

Rod Biss, Sunday Star Times, 6 August 2000

"And thank goodness for a serious composer with a sense of humour to go with his sense of rhythm. Volume Pig is a witty, enjoyable, beautiful, soft, loud, rather long piece – just what you'd expect from Farr."