Sepuluh Jari

Solo Piano

Work Details

Sepuluh Jari
(1996)
WORK DURATION
8:30
WORK CODE
PE014
Instrumentation
Solo Piano
COMMISSION DETAILS
Michael Houstoun (with financial support from Creative New Zealand)
Premiere
Michael Houstoun (pf), Wellington, NZ, 12 March 1996
The image above is indicative only and may not reflect the specific instrumentatioN. thE image has been generated using an AI model or licensed for use by unless otherwise credited.

Sepuluh Jari was the result of a commission Farr received from New Zealand pianist Michael Houstoun. Houstoun asked Farr to compose a toccata, which led the composer to write a virtuosic work that draws on two non-Western tuning systems for its harmonic material – the Indian saraswati scale and the Balinese pelog scale. Beginning in the rumbling lower register of the piano, a lurching, dissonant sprinkling of pitches is repeated before being joined by a comparatively clear melodic line that gradually draws both hands into a higher and more expansive range. Cascading scalar passages interject over low-register arpeggiations, which then arrive at joyous declamatory moments that make use of the exoticism of the work's harmonic influences. The composer transforms these features as they recur throughout the work, rendering them as challenging passages that often require swift finger work. Insistent, pulsed material is interspersed with elastic rushes of energy and brief snatches of stillness and reflection.

From the Composer

From a recently-unearthed letter, apparently in the hand of of J.S. Bach:

"And here it is, my recently completed toccata, Sepuluh Jari – it means "ten fingers" in the native language here on the island of Bali.

I'm forever grateful to you for persuading me to take leave from my position as church organist and spend a year in the Hindu lands of India and Bali. I have found the rhythms and scales of the music here so inspirational that I could not stop them from creeping into this piece.

You must forgive me, though, if it gets a little crazy at times; a strange potion offered me from a coconut shell may be to blame – it made me feel quite queer."

The rest of the letter is illegible.

Work Reviews

Tim Bridgewater, The Dominion, 13 March 1996

"...it was Gareth Farr's outrageously extrovert gamelan-inspired piece Sepuluh Jari that really got this capacity audience going. What a tremendous head of steam this piece works up – an exhilarating tour de force that Houston played with magnificent panache."

Ian Dando, Christchurch Star, 22 April 1998

"Sepuluh Jari is full-on bravura piano writing  -  an exhilarating toccata for Michael Houstoun."