As the title suggests, this piece is to speak like a machine. There is a job to be done and the mechanism is precise and relentless in carrying it out. The drama and energy of the music relies on the rhythmic writing and in the rapid changes of register. Every detail of the contrasting dynamics and articulation must be adhered to by the performer in order for the machine to seem to function as its designer intended.

From the Composer

Mechanically Speaking was composed with an image of interlocking pieces of machinery in mind - I imagined an industrial workplace with gears cranking and cogs turning. The opening of the work, particularly, sets this mood although there are many twists and turns throughout the piece. There is one particular motive that returns throughout the composition in many different guises.

The work is dedicated to the memory of Emeritus Professor Peter Platt.